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Anemoian

by Tithe

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Fire of Renewal
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Fire of Renewal Musik for Dancing in the wood at midnight! With the Spirits of the Forest who cause the Christlings fright!
The Faerie Folk, the Good People, take a look and see! They live unseen in the cracks of reality!
In the trees and in the creeks, in the grasses and the rocks! they speak in blowing wind, chirping bird, and babbling brooks!
They enliven the Sorcerer with Visions profound! With a whisper from His lips all Nature does resound!
Mr Black & White
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Mr Black & White Wow what an amazing find. The music itself is beautiful but the story behind it sealed it for me. My only wish is that the lyrics were attached! thank you for the beautiful music!
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1.
Hymn of Pan 02:30
From the forests and highlands We come, we come; From the river-girt islands, Where loud waves are dumb Listening to my sweet pipings. The wind in the reeds and the rushes, The bees on the bells of thyme, The birds on the myrtle bushes, The cicale above in the lime, And the lizards below in the grass, Were as silent as ever old Tmolus was, Listening to my sweet pipings. Liquid Peneus was flowing, And all dark Tempe lay In Pelion's shadow, outgrowing The light of the dying day, Speeded by my sweet pipings. The Sileni, and Sylvans, and Fauns, And the Nymphs of the woods and the waves, To the edge of the moist river-lawns, And the brink of the dewy caves, And all that did then attend and follow, Were silent with love, as you now, Apollo, With envy of my sweet pipings. I sang of the dancing stars, I sang of the daedal Earth, And of Heaven, and the giant wars, And Love, and Death, and Birth— And then I chang'd my pipings, Singing how down the vale of Maenalus I pursu'd a maiden and clasp'd a reed. Gods and men, we are all deluded thus! It breaks in our bosom and then we bleed. All wept, as I think both ye now would, If envy or age had not frozen your blood, At the sorrow of my sweet pipings.
2.
“Will you go to the rolling of the stones Or the dancing of the ball? Or will you go and see pretty Susie And dance among them all?” Will you go to the rolling of the stones Or the dancing of the ball? Or will you go and see pretty Susie Dance among them all? “I will not go to the rolling of the stones Or the tossing of the ball, But I will go and see pretty Susie And dance among them all.” “Will you drink of the blood, The white wine and the red? Or will you go and see pretty Susie When that I am dead?” They hadn't danced but a single dance More than twice around Before the sword at her true love's side Gave him his fatal wound. They picked him up and carried him away, For he was sore distressed. They buried him all in the greenwoods Where he was wont to rest. Pretty Susie she came a-wandering by With a tablet under her arm, Until she came to her true love's grave And she began to charm. She charmed the fish out of the sea And the birds out of their nests, She charmed her true love out of his grave So he could no longer rest. “Will you go to the rolling of the stones Or the dancing of the ball? Or will you go and see pretty Susie And dance among them all?” “I will not go to the rolling of the stones Or the tossing of the ball But I will go and see pretty Susie And dance among them all."
3.
Says the lord to the lady, “I am now going out, Beware of cruel Lincoln whilst I am gone out.” “What cares I for Lincoln or any of his kin, My doors are all bolted, my windows are pinned.” As soon as the lord had got out of sight Cruel Lincoln crept in at the middle of the night. Got and pinched my sweet baby which caused it to cry, Whilst the nurse sat a-singing, “Oh, hush-a-lullaby.” “Oh nurse, oh nurse, how sound do you sleep, Whilst my little baby most bitterly does weep?” “Oh Lady, dear Lady, come and take it in your lap, For I cannot quiet it with milk nor with pap.” The lady came down, not thinking any harm. Cruel Lincoln stood a-waiting for to catch her in his arms. “Oh Lincoln, cruel Lincoln, spare my life for one hour. You shall have my daughter Betsy, who is thy blood's flower.” “Go and fetch your daughter Betsy. She will do very well To hold up this silver basin for to catch her mother's blood.” There was blood in the kitchen, there was blood in the hall; There was blood in the parlour where the lady did fall. As soon as the lord had heard what was done, Tears from his eyes gently flowed. Saying, “The nurse shall be hanged on the gallows so high. Cruel Lincoln shall be burned in the fire close by.”
4.
Edward 04:54
“What's that blood all on your sword? My Son, come tell to me.” “It is the blood of my own grey hound, He wouldn't run with me, with me, He wouldn't run with me.” “It is too pale for your greyhound's blood, My Son, come tell to me.” “It is the blood of my own grey mare, He wouldn't hunt with me, with me, He wouldn't hunt with me.” “It is too red for your grey mare's blood, My Son, come tell to me.” “Well, it's the blood of me own dear brother, He wouldn't ride with me, with me, He wouldn't ride with me.” “And what were you quarrelling about? My Son, come tell to me.” “It was about a little holly bush That might have been a tree, a tree, It might have made a tree.” “And what will you do when your father he comes home? My Son, come tell to me.” “O I'll set sail in a little sailing boat, I'll sail across the sea, the sea, I'll sail across the sea.” “And what will you do with your pretty little wife? My Son, come tell to me.” “O she'll sail along in my little sailing boat, She'll sail along with me, with me, She'll sail along with me.” “And what will you do with your eldest son? My Son, come tell to me.” “O I'll leave him here for you to raise, Rock upon your knee, your knee, To rock upon your knee.” “And when will you come back again? My Son, come tell to me.” When the sun and the moon there on yonder hill, I know that will never be, Know that will never never be.”
5.
“Cold blows the wind over my true love, Cold blows the drops of rain, I never had but one true love In the Greenwood she lies slain. “I'll do as much for my true love As any young man may, I'll sit and weep down by her grave For twelve months and a day.” When twelve months they were past and gone My sweet love she arose: “What makes you sit by my grave and weep? I can't take my rest!” “One kiss, one kiss from your lily-white lips, One kiss is all I crave. One kiss, one kiss from your lily-white lips, Then leave back to your grave.” “These lips they are as cold as clay, My breath is heavy and strong. if you were to kiss these lily-white lips Your life would not be long. "Do you remember the garden grove, Where once we used to walk? Go pick the finest flower of them all, It will wither to a stalk. “Fetch me a flower from a dungeon deep, Bring water from a stone. Bring white milk from a virgin's breast That baby never bore none.” “Dig me a grave both wide and deep, Dig as quick as you may. That I may lay me down to sleep For twelve months and a day.”

about

Anemoian n. "One experiencing nostalgia for a time never known".

We are blindly grappling for a sense of ancestral identity in this melting pot North American world. What we end up with is no more than academia, fantasy, idealization and imagination at best. And so it is with my own exploration of "heritage".

Somewhere in the intersection of English & Irish folk music, folklore, folk customs, paganism and even folk horror, a deep unnamable longing began to develop. A thirst for something beyond this empty modern alienation and outsider occultism.

Of course, these songs exist in myriad forms already, but perhaps contributing to these living traditions helps tap into that mysterious channel even for a fleeting few moments. An earnest attempt was made to create my own versions and explore them along all of the pathways that brought me to the question of heritage in the first place. These resulting ancestral cut-ups are deeply fulfilling, and, in the end, opened up even more pathways to traverse.

May all anemoians walk your own paths, discover the songs for yourselves, and hopefully also arrive at new-found places of spiritual enrichment. However that may look.

credits

released March 20, 2022

Tithe is:
S.P Haché - voice, guitar, melodica, flute, piano, percussion

featuring:
Sebastian Montesi - strings, arrangement
Ryan Haché - recitation
Phil Fiess - violin

Recorded & Mixed by S.P Haché
Mastered by Sammy Fielding at Ancient Owl Audio
Artwork by Pitchblack Illustration

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about

Tithe Vancouver, British Columbia

Reawakening in 2020 after over a decade, TITHE conjures a raw and haunting dark folk, exploring the hidden, inmost essence. Extracting inspiration from World Serpent's glory days and the lush largesse of 2000s neofolk luminaries, Tithe has traversed the Abyss to transmute the bloody ashes of the past into a fresh vision of Spiritual gold. ... more

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